Aktuelle Meldungen

 

KULTUR -PAUSE

Kinder kuratieren

 

Ausstellungsdauer: 28.03. – 05.04.14

FINISSAGE: Fr. 04.04.14, 19:00 Uhr

 

 mit Werken von

 

PETER FRITZENWALLNER

ALDO GIANNOTTI

MARLENE HAUSEGGER

 

kuratiert von

 

LUKAS HAGER, SARA BINNA KANG, ELENA KANG, JOVAN KOCIC, ELIAS MATARADZIJA und LIVIA SANDAUER

 

Eröffnung: Donnerstag, 27.03.14, 19:00 Uhr

Kunstraum am Schauplatz

Praterstraße 42, Hof 2 / rechts

1020 Wien

 

UNTERGANGART – Parallelaktion(en)

OPERACIÓN PAVO, Audioguide.*
Mahony 2012

Audioguide, 4:35 min.
In englischer Sprache.

*Audioguides und Booklets sind in den

TQW / Studios erhältlich
Von 26. März bis 2. April
Öffnungszeiten: täglich 10-18 Uhr


AKTION. Interspecific Bargain

Leopold Kessler 2012

28. März
Zielpunkt, Stiftgasse 5-9, A-1070 Wien
Öffnungszeiten 08:30-20:30

Aktion solange der Vorrat reicht



THE STATIONARY POINT

IN THE EVOLUTION OF A SYSTEM
A mobile participatory intervention

in public space
Aldo Giannotti 2012

29. März, Wien

Für die Teilnahme

Anmeldung beim Künstler

(Tel. 0650 4126102)


PROST!

Luiz Simões / Sabina Simon


30. März, Wien
TQ, Halle G
at .ca 23.30h


UNTERGANGART. Parallelaktionen
Präsentation / Dokumentation

30. März ab 24 Uhr
aparat, Zwölfergasse 9, A-1150 Wien


Weitere Links:
Aldo Giannotti, Project Sketch 1 (Property)
Aldo Giannotti, Project Sketch 1 (Property)

SCIENCEAGREEMENT BETWEEN ART AND

A Performarce-Artbookbinding

 

In its self-reflection, art reflexively refers to that with which

it reflects and which first makes its reflexivity possible.

Elke Bippus

 

In dieser Gestalt bildet sie [die Kunst] den Gegenstand

einer Unterhaltung, [...] die, das spüren wir, endlos fortgesetzt

werden könnte, wenn nichts dazwischenkäme.

Es kommt etwas dazwischen.

Paul Celan

 

Against the background of a general reflection on the interdisciplinarity between art and science, the Vienna-based artist Aldo Giannotti (I), together with the scientific staff of the A-IKF, has undertaken a critical confrontation with the contemporary debate on Artistic Research. This encounter, or clash, did translate into the artistic project SCIENCEAGREEMENT BETWEEN ART AND.

 

   Having started as an interdisciplinary questioning of interdisciplinarity itself, the collaboration has brought – not without passing through a schyzoanalytic reflection on the so often evoked unity of theory and practice within the interdisciplinary process – to the concept for an art-book. The "object" of such a book should be the very debate around artistic research. In doing this, the artist has focused his attention on the process of "bookbinding". This has been recognized as the material as well as symbolic device or dispositive, which makes the performance of reading a book possible (to open, to consult and to leaf through a book) allowing it to function as discursive reading apparatus. The very functioning of such a dispositive suggested that the bookbinding had to be rethought in performative terms...

 

   The project SCIENCEARGREEMENT BETWEEN ART AND represents the attempt to bind together, in a socio-plastic book, the theoretical minimum units of a debate, in the form of auctorial statements, and the artistic praxis of their addressers: a performative book, the publication of which is distributed among different writing and reading places in the public space – alluding, thereby, to a Street-Art-like intervention.

 

   Originally thought as being an extra-academic artistic contribution to the debate on Artistic Research, the project also constitutes a kind of thankful provocation that aims at calling for other "voices" (pro-vocare), in order to keep the debate in motion.

 

Webpage of Aldo Giannotti